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from Arnold Dreyblatt: Tuning Systems Explanation, www.dreyblatt.net/html/music.php?id=67

The Dreyblatt Tuning System is calculated from the third, fifth, seventh, ninth and eleventh overtones and their multiples in the following pattern:
1
3
5
7
9
11
3
9
15
21
27
33
5
15
25
35
45
55
7
21
35
49
63
77
9
27
45
63
81
99
11
33
55
77
99
121

These mathematically related overtones are heard as tonal relationships when they are transposed and sounded above a fundamental tone. In this process of transposition from their position in the natural overtone series, these tones fall (unequally) in the span of one octave in the following order:

1, 33, 35, 9, 77, 5, 81, 21, [11,] 45, 3, 49, 99, 25, 27, 55, 7, 15, 121, 63, (2)

These tones are performed in "just intonation' based on a fundamental tone of "F".
Note
Freq.
Partial
Cents
F
349.2
1
0
F#
360.11
33
-47
G
381.93
35
-45
G#
392.85
9
+4
G#
420.13
77
+20
A
436.5
5
-14
A
441.95
81
+8
A#
458.32
21
-29
B
480.15
11
-49
B
491.06
45
-10
C
523.8
3
+2
C
534.71
49
+38
C#
540.16
99
-45
C#
545.62
25
-28
D
589.27
27
+6
D
600.18
55
+37
D#
611.1
7
-31
E
654.75
15
-12
E
660.20
121
+2
F
687.48
63
-27