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Definitions | Anomalous Saturated Suspensions | Just intonation tetrads | Essentially tempered dyadic chords

Definitions

By a dyadic chord is meant a chord each of whose intervals belongs to a specified set of intervals considered to be consonant; it is therefore relative to the set of intervals in question. By a just dyadic chord is meant a chord in rational intonation which is dyadic, so that each of its notes in relation to the lowest note is a rational number belonging to the set of consonances, and moreover each interval between the notes belongs to the set of consonances. By an essentially just dyadic chord is meant a chord which is considered to be an approximation of a just dyadic chord, such that each of its intervals is considered to be an approximation of the corresponding interval in the just dyadic chord. So, for instance, 1-5/4-3/2 is a just dyadic chord when the consonance set is the 5-limit diamond with octave equivalence, and 0-10-18 in 31edo with consonance set {8, 10, 13, 18, 21, 23, 31} modulo 31 is an essentially just dyadic chord approximating 1-5/4-3/2.

By an essentially tempered dyadic chord is meant a chord defined in an abstract regular temperament such that each interval belongs to a consonance set, but there is no corresponding just dyadic chord. This means there is no just chord such that each interval, when mapped by the abstract regular temperament, belongs to the consonance set. For example, the chord 1-6/5-10/7, when mapped by starling temperament, which tempers out 126/125, has each of its intervals in the set of 7-limit consonances which is the tempering of the 7-limit diamond by 126/125. However, (10/7)/(6/5) = 25/21 is 25-limit, and there is no other 7-limit just dyadic chord which can be used instead to give the result, so it is an essentially tempered dyadic chord. Essentially tempered dyadic chords are a related notion to comma pumps, and can be used as a basis for creating pumps. Using essentially tempered chords in chord progressions breaks the harmony out of exclusively just chord relations, and serves as a sort of harmonic lubricant imparting fluidity and dynamism to the harmony, at the cost fairly often of some blurring of the sense of tonality.

Kite Giedraitis has proposed the term "innate comma chord" to describe the type of chord that can't be mapped to just intonation in a given prime limit and odd limit, hence a chord that won't "ring". This term is broader than the term "essentially tempered chord" because it includes the possibility that the chord is not tempered at all, and contains a wolf interval. For example, the augmented triad in 5-limit JI is an innate comma chord, because it's impossible to tune all three major 3rds to 5/4. The innate comma here is 128/125 = 41¢. In practice, it might be sung or played justly, but with a large odd limit and hence a wolf interval, as 1/1 - 5/4 - 25/16 or 1/1 - 5/4 - 8/5. Or it might be tempered, e.g. in 12-edo as 0¢ - 400¢ - 800¢ - 1200¢. In 7-limit JI, one of the 3rds can be tuned to 9/7. The innate comma is reduced to 225/224, only 8¢. This comma can be distributed among the three 3rds, resulting in tempering each only a few cents, which may be close enough to be acceptable. In 11-limit JI, this chord isn't an innate comma chord, because it can be tuned justly as 7:9:11, a low enough odd limit to "ring". However, it's debatable that this chord qualifies as an augmented triad, because the upper 3rd hardly sounds major.

Anomalous Saturated Suspensions

An anomalous saturated suspension, or ASS, is a term introduced by Graham Breed for a q-limit just dyadic chord to which no pitch q-limit pitch class can be added while keeping it in the q-limit, and which is neither an otonal or a utonal chord; that is, it is not contained as a subchord of either the 1:3:5: ... :q chord or the 1:1/3:1/5: ... :1/q chord. The existence of such chords was discovered by Paul Erlich. Below are listed two 9-limit ASSes of special interest, as they avoid intervals smaller than a minor whole tone.

just added sixth chord
swiss tetrad

Just intonation tetrads


seven limit tetrads
nine limit tetrads
1-3-7-11 tetrads
thirteen limit tetrads
fifteen limit tetrads
seventeen limit tetrads

Essentially tempered dyadic chords

Here are some pages on certain essentially tempered dyadic chords.

7-limit

starling chords
hendrix chord

9-limit

meantone add6-9 pentad
marvel chords
sensamagic chords

11-limit

mothwellsmic triad
ptolemismic triad
valinorsmic chords
rastmic chords
keenanismic chords
pentacircle chords
werckismic chords
swetismic chords
undecimal marvel chords
jove chords
prodigy chords
miracle chords
magical seventh chord
orwell tetrad
tutonic sextad

13-limit

ratwolf triad
gentle chords
minthmic chords
huntmic chords
kestrel chords
mynucumic chords
squbemic chords
sinbadmic tetrad
marveltwin triad
petrmic triad
cuthbert triad
hecate hexad

15-limit

guanyin tetrad
island tetrad
nicolic tetrad
battaglia chord

19-limit

hendrix chord
rootminor triad
rootsubminor triad

21-limit

slendric pentad