editing disabled

Recent Changes

Sunday, September 16

  1. page home edited MOVED TO XEN.WIKI FIND US THERE OR ON FACEBOOK! Welcome to the Xenharmonic Wiki! The Xenharm…

    MOVED TO XEN.WIKI
    FIND US THERE OR ON FACEBOOK!

    Welcome to the Xenharmonic Wiki!
    The Xenharmonic wiki is an open resource for information about Musical Tuning. This includes information about systems of tuning, the relationships between those systems, and the theory and math behind them.
    (view changes)
    10:45 pm

Thursday, July 12

  1. page The Archipelago edited The archipelago is a rag-tag collection of various regular temperaments of different ranks, inc…

    The archipelago is a rag-tag collection of various regular temperaments of different ranks, including subgroup temperaments, associated with island temperament: the rank five thirteen limit temperament tempering out the island comma, 676/675. Common to all of them is the observation that two intervals of 15/13 are equated with a fourth. Hence a 1-15/13-4/3 chord is a characteristic island chord, and 15/13 tends to be of low complexity. Also characteristic is the barbados triad, the 1-13/10-3/2 triad, as well as its inversion 1-15/13-3/2, the barbados tetrad, 1-13/10-3/2-26/15, plus the tetrads 1-13/10-3/2-8/5 and 1-13/10-3/2-9/5. The just intonation subgroup generated by 2, 4/3 and 15/13 is 2.3.13/5, and the barbados triad and tetrad are found in that, while the other two tetrads are found in the larger 2.3.5.13 subgroup.
    The barbados triad is of particular theoretical interest because, when reduced to lowest terms, it is the 10:13:15 triad. Thus, this triad is only slightly higher in complexity than the 5-limit 10:12:15 minor triad, which means it may be of distinct value as a relatively unexplored musical consonance. It is one of only a few low-complexity triads with a 3/2 on the outer dyad, some others being 4:5:6, 6:7:9, and 10:12:15. It works out to 0-454-702 cents, which means that it is an ultramajor triad, with a third sharper even than the 9/7 supermajor third.
    (view changes)
    12:06 am
  2. 12:05 am
  3. msg Note about deletion message posted Note about deletion Quick note - I just deleted a page called " List of edo distinct 72et rank two temperaments&qu…
    Note about deletion
    Quick note - I just deleted a page called " List of edo distinct 72et rank two temperaments", which has an extra space as the first character. It used to be here: http://xenharmonic.wikispaces.com/%20List%20of%20edo-distinct%2072et%20rank%20two%20temperaments -- note the beginning %20. It was just a copy of this page that was 2 years older or so.
    12:01 am
  4. page List of edo-distinct 72et rank two temperaments (deleted) edited
    12:00 am

Wednesday, July 11

  1. page kite33 edited ... 125/63 2/1 Kite notes that in his tuning, the piece pumps the starling comma. To avoid a pi…
    ...
    125/63
    2/1
    Kite notes that in his tuning, the piece pumps the starling comma. To avoid a pitch shift, the tonic drifts steadily upwards 14¢ over the course of the piece. Individual notes have a stable pitch, thus each note has a unique pitch. Thus Kite's tuning of this piece does not use a fixed scale, and this scala file will not tune the Liszt piece properly.
    (view changes)
    4:46 pm
  2. page Porcupine Notation edited ... BTW with this notation system, one question is - how many lines do you use in a staff? I guess…
    ...
    BTW with this notation system, one question is - how many lines do you use in a staff? I guess you'd have to have "staff switches" in the middle of a score if you want to switch into a porcupine[8]-oriented notation or what have you.
    Kite Giedraitis's approach
    ...
    generator is vM2, and thevM2. The enharmonic is v3A1 (C^3
    equals C#).
    v3A1, thus C^3 equals C#. The alternate
    ...
    genchain is
    ...^1 - M2 - vM3 - ^4 - P5 - vM6 - ^m7 - P1 - vM2 - ^m3 - P4 - v5 - ^m6 - m7 - v8...
    In C, this would be
    (view changes)
    4:39 pm
  3. page Porcupine Notation edited ... BTW with this notation system, one question is - how many lines do you use in a staff? I guess…
    ...
    BTW with this notation system, one question is - how many lines do you use in a staff? I guess you'd have to have "staff switches" in the middle of a score if you want to switch into a porcupine[8]-oriented notation or what have you.
    Kite Giedraitis's approach
    ...
    v3A1 (C^3
    C#).

    equals C#).
    The alternate
    ...
    - E
    ^^m2.
    = ^^m2. The genchain
    ...^1 - M2 - vM3 - ^4 - P5 - vM6 - ^m7 - P1 - vM2 - ^m3 - P4 - v5 - ^m6 - m7 - v8...
    In C, this would be
    (view changes)
    4:36 pm
  4. page Porcupine Notation edited ... BTW with this notation system, one question is - how many lines do you use in a staff? I guess…
    ...
    BTW with this notation system, one question is - how many lines do you use in a staff? I guess you'd have to have "staff switches" in the middle of a score if you want to switch into a porcupine[8]-oriented notation or what have you.
    Kite Giedraitis's approach
    ...
    v3A1 (C^3 = C#).
    C#). The alternate generator is G - E
    ^^m2.
    The genchain
    ...^1 - M2 - vM3 - ^4 - P5 - vM6 - ^m7 - P1 - vM2 - ^m3 - P4 - v5 - ^m6 - m7 - v8...
    In C, this would be
    ...C^ - D - Ev - F^ - G - Av - Bb^ - C - Dv - Eb^ - F - Gv - Ab^ - Bb - Cv...
    Unlike the other proposals here, the notes without ups and downs still form the familiar chain of 5ths ...Eb Bb F C G D A E B F# C#..., and interval arithmetic remains unchanged. Staff notation is as usual, with the addition of up and down accidentals before certain notes.
    Porcupine[8] in A is A Bv C^ D Ev F^ G Av A. Porcupine[7] would omit Av.

    Example comma pump, with brackets indicating an enharmonic equivalence:
    C.v -- Av.^m -- Dv.v -- [Bvv=Bb^].^m -- Eb^.v -- Ab^.v -- C.v
    (view changes)
    4:34 pm

More